Writing for First Draft is one of my passions. It’s often my therapy. This has been one of those times. The MAGA Bomber’s failed attempt at mass assassination shook me to the core. Then, the massacre at the Tree of Life Synagogue in Pittsburgh left many of us questioning what it means to be an American in the Trump era.
I am proud to be an American, but I am ashamed of our current leadership’s inability to respond with an ounce of human decency or a scintilla of empathy. As far as the president* is concerned, it’s an inconvenient interruption of rally mania. As far as I’m concerned, Trump and his allies have blood on their hands, if not literally, then symbolically.
I’m not the only one questioning what it means to be an American in 2018. Veteran political journalist Howard Fineman grew up in Pittsburgh as a member of the…
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I think there is a general misconception that you write poems because you “have something to say.” I think, actually, that you write poems because you have something echoing around in the bone-dome of your skull that you cannot say. Poetry allows us to hold many related tangential notions in very close orbit around each other at the same time. The “unsayable” thing at the center of the poem becomes visible to the poet and reader in the same way that dark matter becomes visible to the astrophysicist. You can’t see it, but by measure of its effect on the visible, it can become so precise a silhouette you can almost know it.
Why Write Poetry?
Today you can buy the Dialogues of Plato for less than you would spend on a fifth of whisky, or Gibbon’s Decline and Fall of the Roman Empire for the price of a cheap shirt. You can buy a fair beginning of an education in any bookstore with a good stock of paperback books for less than you would spend on a week’s supply of gasoline.
Often I hear people say they do not have the time to read. That’s absolute nonsense. In one year during which I kept that kind of record, I read twenty-five books while waiting for people. In offices, applying for jobs, waiting to see a dentist, waiting in a restaurant for friends, many such places. I read on buses, trains and planes. If one really wants to learn, one has to decide what is important. Spending an evening on the town? Attending a ball game?…
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There are experiences of landscape that will always resist articulation, and of which words offer only a distant echo. Nature will not name itself. Granite doesn’t self-identify as igneous. Light has no grammar. Language is always late for its subject… But we are and always have been name-callers, christeners. Words are grained into our landscapes, and landscapes grained into our words.
The Word-Hoard: Robert MacFarlane on rewilding our language of landscape